of course, in the Bee Gees, who were busy reinventing themselves as The soundtrack also includes songs from Jay-Z, 50 Cent, Xzibit, and others. were simple: ''Do what you like, but only one thing I ask of you: Please - Highest rank on Billboard 200: #1 - Date of soundtrack peak: Dec. 12, 1992. The Music Man (1962) - Meredith Willson Originally slated for release on Oct. 20, 2009, the launch was pushed up four days due to overwhelming demand. It’s still considered one of Bette Midler’s most popular songs. To determine the best movie and TV soundtracks of all time, Stacker mined data from Billboard to rank the top 100 out of 1,675 soundtracks. Doctor Zhivago (1965) - Maurice Jarre The resulting film was an exhilarating fusion of the backstage musical The album was a best-seller, and Lai won that year’s Academy Award for Best Original Music Score. for so long as to acquire the force of myth. - Highest rank on Billboard 200: #1 - Date of soundtrack peak: Aug. 4, 1984. menace of his title track, and the Maytals' ''Pressure Drop'' -- are 23. Copyright © 2010-2020 AMC Network Entertainment LLC. 43. coming out of the States at the time. by his marriage of 19th-century music and 21st-century imagery. To give the music an authentic feel, ABBA member Benny Andersson not only participated in the film, he brought back some musicians from the original stage recordings. The Bee Gees reinvented themselves as disco kings in the mid-1970s. The Beatles were more or less falling apart by the time they sat down to record “Let It Be” in 1969. Produced by T. Bone Burnett, the album offers mostly modern interpretations of songs from the respective bluegrass, folk, blues, gospel, and country genres. And while it’s a crime Bananarama’s “Cruel Summer” was left off, you get your New Wave fix with Commuter (“Young Hearts”) and Baxter Robertson (“Feel the Night”), two songs that will legitimately dent your soul. –Michael Roffman, What you have to keep telling yourself whenever you watch American Pie is that, yes, this is a film from another time. –Michael Roffman, All good love stories develop their own soundtrack, and the sweet, smoky, long-gestating romance between Sanaa Lathan’s Monica and Omar Epps’ Quincy in Love & Basketball is no exception. It also served as the perfect accompaniment to a film about a ex-marine (Michelle Pfeiffer) who struggles to connect with her inner-city students. The soundtrack’s biggest hit: “Keep Their Heads Ringin'” by Dr. Dre. Anatomy of a Murder (1959) - Duke Ellington Rushmore (1998) - Various - Highest rank on Billboard 200: #1 - Date of soundtrack peak: Aug. 22, 2015. But for proof of his greater Hit Hollywood musicals and chart-topping soundtracks go hand in hand, as was the case with 1963’s “Bye Bye Birdie.” Dick Van Dyke reprised his former Broadway role as aspiring songwriter Albert Peterson, providing numerous vocals for the soundtrack. Executive produced by Jay-Z, the film’s soundtrack hosts a bevy of hot talent, with three hit singles: "Young and Beautiful," "A Little Party Never Killed Nobody (All We Got)," and "Bang Bang." Featuring performances by the film’s stars, Ryan Gosling and Emma Stone, the soundtrack covers a range of styles, energies, melodies, and moods. You may not recognize that Thanks to the first season’s favorable reviews, Columbia Records released an official soundtrack, which likewise garnered no shortage of acclaim from fans and critics alike. For “Armageddon,” that song was “I Don't Want to Miss a Thing," by Aerosmith. of which are still being felt. The blend also helps the score pieces resonate, and sets the stage for the iconic “Everybody’s Talkin’”, leading to the first Grammys for both Harry Nilsson and legendary composer John Barry. - Highest rank on Billboard 200: #1 - Date of soundtrack peak: March 23, 2002. Thom Yorke, Muse, The Killers, and Death Cab for Cutie all contributed to this soundtrack. chord by name, but you'd instantly know it as the ringing opening salvo put on those duds. voted upon in 2005. We found plenty of soundtracks that excelled by using subtle songs in the periphery of pivotal scenes, and we also came across films that dropped the music right into the story, as part of the plot or even as a character itself. of black-and-white imagery that changed the way we see the world. Through a mixture of Kirsten Dunst’s love and a sprawling playlist including Tom Petty, Ryan Adams, My Morning Jacket, Lindsey Buckingham, Elton John, U2, and a host of other familiar and minor names alike, Crowe serves as the benevolent god of his film’s loving world. 34. when director Fred Zinnemann chose to shoot the film on location (in But when the mood breaks, as it must inevitably, you’d be hard-pressed to find better explosions than Stevie Wonder’s “Superstition”. music, a then-revolutionary conceit: Nearly every character was near Performing on a number of tracks are the beloved film’s two stars: Olivia Newton-John and John Travolta, belting out classics like “Summer Nights,” “You're The One That I Want,” “Greased Lightnin,'” and more. A year before “Footloose” took the country by storm, 1983’s “Flashdance” did the same thing to even greater impact. When Depression-era adventure comedy “O Brother, Where Art Thou?” premiered in 2000, nobody could have guessed that its soundtrack would eventually sell nearly 8 million copies in the U.S. alone. Like, why is Echo and the Bunnymen covering The Doors’ “People are Strange”? Those who have seen it, probably remember its groundbreaking double-album soundtrack that features a who’s who of punk and new wave titans circa 1980, from Talking Heads to The Cure, Gary Numan to Patti Smith. Hidalgo’s band, Los Lobos, plays on most of the soundtrack. Lawrence of Arabia (1962) - Maurice Bringing the film’s quirks to life are songs from Belle & Sebastian, Sonic Youth, Cat Power, and Kimya Dawson. Wax on, wax off, people. Best Film Scores and Movie Soundtracks: See below AFI's 100 Years of Film Scores, a selection of the top 25 Film Scores voted upon in 2005.Also below, Entertainment Weekly selected their definitive list of 100 Best Movie Soundtracks, dubbed their "guide to the movie soundtracks that move us most." The Mission (1986) - Ennio Morricone Chinatown (1974) - Jerry Goldsmith Grease (1978) - Various Kubrick's sci-fi classic and had your classical-loving world rocked From Black Panther to Clueless, Dazed and Confused to Purple Rain, the music that has defined modern filmmaking. In accordance with the movie’s edgy vibe, the album is loaded with hip-hop, hard rock, and electronic dance music, or EDM.

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