Despite a few modern liberties that were taken with the design of this look, we can tell that the costumes are well-researched and quite impressive for the era of filmmaking. [18][19][20] Their relationship during the development of the film was also dramatized in the 2013 Disney film Saving Mr. Banks. Color Mania contains a general introduction to color in film and photography (technique, materiality, aesthetics) as well as a series of short essays that take a closer look at specific aspects. Lets get a round of applause for this attention to detail. There was an issue, however. Mary Poppins (1964) - Turner Classic Movies Mary Poppins Brief Synopsis Read More Two banker's children lose their nanny due to her frustration with them. [30] In a 2003 poll by Empire magazine of the worst film accents of all time, he came in second. Were going to review the look most popularly associated with this character and break down the elements that the costume designer got right and wrong when designing these historically accurate costumes. *Note: Several donors prefer to remain anonymous. Mary Poppins (1964) was his plum. How Julie Andrews Shot to Stardom in 'Mary Poppins,' Her First Film As Mr. Banks puzzles over the advertisement's return, Mary Poppins hires herself, and she convinces him it was originally his idea. From the whimsical and fun story to the colorful animation sequences, the almost 60 year old film is a classic. After showing its capabilities in "Mary Poppins," other studios and filmmakers fought to use it. ), Color Mania. In an interview with Stephen Colbert on his show in 2017, Andrews said she almost got hurt filming her final flying scene in "Mary Poppins. We have no doubt it will be 'supercalifragilisticexpialidocious'. Were going to review the look most popularly associated with this character and break down the elements that the costume designer got right and wrong when designing these historically accurate costumes. Van Dyke eventually won Disney over after a screen test. The film takes place 25 years after the original,[77] Mary Poppins, and features a standalone narrative based on the remaining seven books in the series. In Mary Poppins Returns , the whereabouts of Van Dyke's chimney sweep Bert are explained away quite early on as "traveling the world, off to parts unknown." However, the same cannot be said for . The Sherman Brothers composed the music score and were also involved in the film's development, suggesting the setting be changed from the 1930s to the Edwardian era. "[46], For The Hollywood Reporter, James Powers applauded the performances, visual effects, musical score, production design, and the choreography. Like all forms of art, films have always relied heavily on bringing our imaginations to life. In addition to Julie Andrews' Oscar for best actress, the film won the awards for best editing, best special visual . In March 1961, Disney announced that it might cast Hayley Mills and Mary Martin in the film. Seller assumes all responsibility for this listing. P. L. Travers MARY POPPINS AND MARY POPPINS COMES BACK | eBay [34][41] The film's poster was painted by artist Paul Wenzel. [51], The film earned $31million in theatrical rentals in the United States and Canada during its initial run. Home dressmaking was sustained as an important aid for women negotiating wider social shifts and tensions in their lives. Throughout all of the fashionable changes during this time, the character of Mary Poppins falls in the upper middle class, so we will be focusing primarily on upper class fashions. Then voila! But this meant that any costumes or props with a blue hue would simply blend in and disappear with the background. Project Leader and Principal Investigator: Prof. Dr. Barbara Flueckiger, [emailprotected], Dr. Evelyn Echle, Scientific Research Manager [emailprotected], BSc Gaudenz Halter, Software Development Color Film Analyses, video annotation und crowdsourcing platform VIAN, in collaboration with Visualization and MultiMedia Lab of Prof. Dr. Renato Pajarola, University of Zurich, (Enrique G. Paredes, PhD; Rafael Ballester-Ripoll, PhD) since 07.2017, BSc Noyan Evirgen,Software Development, in collaboration with Visualization and MultiMedia Lab von Prof. Dr. Renato Pajarola, Universitt Zrich (Enrique G. Paredes, PhD; Rafael Ballester-Ripoll, PhD), 03.201701.2018, BA Manuel Joller, BA Ursina Frh, BA/MA Valentina Romero, Prof. Dr. Barbara Flueckiger,[emailprotected], MA Noemi Daugaard, PhD Candidate, [emailprotected] The next day at the bank, the children meet the elderly Mr. Dick Van Dyke played two characters in the original film, and he had a small role in the sequel. 80 financial contributors sponsored the crowdfunding campaign Database of Historical Film Colors with more than USD 11.100 in 2012. On Mary Poppins Returns, Hatzer and team began color grading and design during early test shoots for lenses and costumes, all while the workflow and color transforms were finalized for dailies and visual effects. Sherman's voice is heard saying the only line: "Feed the birds, tuppence a bag. Top editors give you the stories you want delivered right to your inbox each weekday. She said, 'This is Emily's show, and I really want it to be Emily's show. For example, Dick Van Dyke could wear this blue bow tie and socks, and because sodium gas emits a very specific hue of yellow, he was also able to wear a blazer with yellow stripes. You need to look no further than this veil that Julie Andrews is wearing to see how impressive this technology really was. "Mary Poppins" ran on Broadway from 2004 to 2013, and it was nominated for seven Tony Awards. View Quote The film's composers, Richard and Robert Sherman, are often credited with the creation of the word, and they have said they made it up. Shop All Hair Care Hair Color Skincare Fragrance Makeup Beauty Tech & Tools Nail Care Bath & Body Men's Grooming. Disney responded, "Pamela, the ship has sailed" and walked away.[20]. So where did they go wrong? [31] Van Dyke claims that his accent coach was the English (of Irish extraction) J. Pat O'Malley, who "didn't do an accent any better than I did". It was adapted from the P.L. Mr. Banks then gets a phone call from the bank requesting a meeting with him about what the children did. One would achieve the narrow waist by tight lacing a corset (a very popular trend in the early 1910s) and would layer combination drawers and a frilly dress bodice to get the effect of a full bust. Many further persons and institutions have supported the project, see acknowledgements. 42 Mary Poppins (1964) Movie Facts You Haven't Read Before - January Media Mary Poppins is considered Walt Disney's crowning live-action achievement and is the only one of his films which earned a Best Picture nomination during his lifetime. Photographs of the Technicolor V dye-transfer safety print by Jolle Kost, ERC Advanced Grant FilmColors. Beating out Audrey Hepburn's "My Fair Lady" (1964), "Mary Poppins" was the highest-grossing film of 1964 with over $102 million earned in the US and Canada, according to IMDb. Mary Poppins - Just Color Nios : Dibujos para colorear para nios Find many great new & used options and get the best deals for Mary Poppins Practically Perfect in Every Way Shirt Disney Her Universe XL/NWT at the best online prices at eBay! Mary Poppins. [44] Time lauded the film, stating, "The sets are luxuriant, the songs lilting, the scenario witty but impeccably sentimental, and the supporting cast only a pinfeather short of perfection. Starring as Jane and Michael Banks in "Mary Poppins" was not the first or last time Karen Dotrice and Matthew Garber worked together. E-mail to Barbara Flueckiger, founder and project leader of Timeline of Historical Film Colors, Thank you very much for your financial contribution! Imagination had no boundaries but film did. Before we dive into Mary Poppins clothing, we need to establish a time period and setting to investigate whether her look is accurate or not. Where was Mary Poppins Returns filmed? | CN Traveller Its important to note that decades of womens fashion are defined by the silhouettes of the dresses they wore during that period. [27] Robert Sherman dubbed the speaking voice for Jane Darwell because Darwell's voice was too weak to be heard in the soundtrack. Mary Poppins Returns: Directed by Rob Marshall. Even if it had a rubber point, youd be all over the place. Bridging the Gap Between Technology and Aesthetics, see press release of the University of Zurich and information on the University of Zurichs website. During the film's end titles, "Navckid Keyd", an. Mary Poppins Returns film location: Jack sits atop the gate: Devereux Court, Middle Temple, London EC4 Having to make their own way home on foot, Mary and the kids end up lost in the fog and the dark. The site's consensus reads, "A lavish modern fairy tale celebrated for its amazing special effects, catchy songs, and Julie Andrews's legendary performance in the title role. Travers book of the same name. Isolating a more specific range of wavelength allowed for a crisper image, practically eliminating the halo effect of the blue screens. How 'Mary Poppins Returns' Painstakingly Re-created 1930s London And there were no limitations on the colors of props or costumes. [23], Julie Andrews, who was making her feature film acting debut after a successful stage career, was given the prime role of Mary Poppins soon after she was passed over by Jack L. Warner and replaced with Audrey Hepburn for the role of Eliza Doolittle in his screen adaptation of My Fair Lady even though Andrews had originated that role on Broadway. . Looking to the tuppence for words, he blurts out "Supercalifragilisticexpialidocious", tells Uncle Albert's "Wooden leg named Smith" joke the children told, and happily heads home. Chloe Stefani '24, Fashion EditorJanuary 7, 2021. The relationship between Travers and Disney is detailed in Mary Poppins She Wrote, a biography of Travers by Valerie Lawson. 17, Cherry Tree Lane in London, to the delight of their young children, Jane and Michael. As Barbara Burman said. Ella utiliza su peculiar estilo de vida . Unfortunately, they weren't tears of joy. V: Dye transfer prints from chromogenic negative Mary Poppins (USA 1964, Robert Stevenson). In addition, the Institute for the Performing Arts and Film, Zurich University of the Arts provided a major contribution to the development of the database. Mary Poppins (1964) - Technical Specifications - IMDb To bring "Mary Poppins" to life, Disney hired the engineer and inventor, Petro Vlahos. Free shipping for many products! The most popular hairstyle for women of the Edwardian era was the pompadour style, as seen on the fictional, (a widely popular illustration of the feminine beauty ideal at the time). But "Mary Poppins Returns," Disney's movie-musical sequel to the beloved 1964 Julie Andrews classic opening Wednesday, is Miranda's first major film role. I love fashion history because clothing really reflects what was going on in history. . The same light you see in street lamps. GAF View-Master - Walt Disney Mary Poppins - 3 carretes buen color Travers. Disney first attempted to purchase the film rights to Mary Poppins from P. L. Travers as early as 1938. He did this by creating a unique prism that was designed to isolate the 589 nanometer hue from the rest of the colors. Buena Vista Records released the original motion picture soundtrack in 1964 on LP and reel-to-reel tape. that appear on this web page are protected by copyright! Peter Menefee, one of the twelve dancing chimney sweeps supporting Bert, provided some insight into the choreography of the film: The choreography wasnt really done until we got there and they mounted it on us. Jane and Michael then witness a young magical nanny descending from the sky using her umbrella. [17] She objected to a number of elements that made it into the film. the hit 1964 film turned Broadway musical starring Julie Andrews, is notably one of my favorites. ): Timeline of Historical Film Colors. Although she had appeared in TV movies and on shows, and she voiced a character in an animated film, "Mary Poppins" was Andrews' first major live-action movie. Nixon later provided the singing voice for Hepburn in My Fair Lady and played one of Andrews' fellow nuns in The Sound of Music. But speaking as a grownup, I found a little bit went a long way." The Sherman Brothers composed several songs for Disney, including the incredibly popular "It's a Small World" tune. All the members of the two research projects on film colors, both led by Barbara Flueckiger, have been capturing photographs of historical film prints since 2017. It was the role that launched her illustrious film career. Historical Fashion Accuracy in Film: Mary Poppins (1964) With the arrival of color films, Butler realized he could put a subject in front of a specific color, then remove that exact color to isolate a subject from its background. Rob Marshall, the director of "Mary Poppins Returns," told Entertainment Weekly in 2017 that Andrews declined a role in the sequel because she wanted people to focus on Emily Blunt's performance in the leading role. We are updating these detail pages on a regular basis. An extensive image section illustrates the texts and color systems and continues the aesthetic experience of the various processes and objects in book form. Barbara Flueckiger, Experts, scholars, institutions|Sponsors, supporters, patrons of the crowdfunding campaign, April 23 to July 21, 2012, April 23 to July 21, 2012, $11,175 raised. And it was this technological marvel that earned Vlahos the Oscar for Visual Effects. Many women in this era wore a rendition of the pompadour or another very similar style. Many graphics, photographs, and text portions Mary Poppins Was Filmed Entirely At The Walt Disney Studios Despite the entire film being set in London, Mary Poppins was filmed at the Walt Disney Studios in Burbank, California and used painted set design in the background to make it look like the English capital. This is a scene from "Mary Poppins," a 1964 classic directed by Robert Stevenson. ("Perfect Nanny") Winifred (who strongly agrees with the children) tries to keep the peace. ", According to the actress, she was up in a harness after filming the stunt when she felt a rope slip before she "plummeted to the stage.". The Shermans took inspiration from Edwardian British music hall music. There are many problems with the accuracy of this look. (The movie suggests that this demand had to do with seeing her father. In the film, the word is meant to be used when you have nothing to say. Travers might have liked Mary Poppins onstage", "AFI's Greatest Movie Musicals Official Ballot", Domesticating Emmeline: Representing the Suffragette, 1930-1993, 'Cast Off the Shackles of Yesterday': Women's Suffrage in Walt Disney's, 'All That Is Solid Melts into the Air': The Winds of Change and Other Analogues of Colonialism in Disney's, https://en.wikipedia.org/w/index.php?title=Mary_Poppins_(film)&oldid=1142791985, Best DVD (packaging, content and transfer), Online Film & Television Association Awards, Van Dyke also portrays Mr. Dawes Sr., the old director of the bank where Mr. Banks works. But instead of hiring a special effects artist for the job, Disney instead asked for help from the engineer and inventor Petro Vlahos. The children ask their father to help them build a better kite, but he dismisses them. [7] In 2013, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". Lets start with her hairstyle. Mary Poppins (film) A magical English nanny, Mary Poppins, arrives at the home of Mr. and Mrs. George Banks, facing the park at No. How we made Mary Poppins | Movies | The Guardian It was at the after-party that Richard Sherman recalled her walking up to Disney and loudly announcing that the animated sequence had to go. Sometimes historical accuracy in costumes could have been the designers intention, but the artistic vision of the director and sometimes even the actors themselves can often override these decisions. In this regard, both media institutionalized numerous techniques such as hand and stencil coloring as well as printing and halftone processes. incisive commentary, and color photos that will completely immerse fans in the world of Downton Abbey. At the time at least. Travers, published in 1934. So, are the costumes in Mary Poppins historically accurate? Travers and tells the story of a . In the park, the Banks family meets Mr. Dawes' son, Mr. Dawes Jr., who reveals his father died laughing from the joke ("Let's Go Fly a Kite"). The earliest written record of a variant of the word is in a 1931 newspaper column by Helen Herman, and another close variant was used by a different group of songwriters in 1949. As I said before, the silhouette of her dress is clearly 1960s inspired, because of its. I really want her to take this and run with it, because she will be brilliant. And that red corset-like waist cincher has no place being there either, as it gives an hourglass figure to her silhouette rather than an S shaped one. Mary Poppins hair is almost accurate because it is up, but it would have realistically had much more volume added and would be less refined. On January 27, 2009, the film was released on DVD again as a 45th anniversary edition, with more language tracks and special features (though the film's "Enhanced Home Theater Mix" was not included). The color of the stockings for daytime affairs would most likely be white rather than black, and as we can see the movie got this correct. Runner-up film "My Fair Lady" grossed just over $72 million in the US and Canada. Photographs of the Technicolor V dye-transfer safety print by Jolle Kost, ERC Advanced Grant FilmColors. [24] When Disney first approached Andrews about taking on the role, Andrews was three months pregnant and therefore was not sure she should take it. [36], The film's choreographers were Dee Dee Wood and her husband Marc Breaux. Much of the TraversDisney correspondence is part of the Travers collection of papers in the State Library of New South Wales, Australia. Lets start with her hairstyle. Without Disney's gamble and Vlahos' ingenuity and innovation, we might have never seen "Mary Poppins" on the silver screen, not to mention films like "Star Wars" or "Jurassic Park." Karen Dotrice, played Jane Banks. She meets the children and helps them magically tidy their nursery by snapping her fingers, before heading out for a walk in the park ("Spoonful of Sugar"). The outing is ended when a thunderstorm dissolves Bert's drawings, returning the group to London; upon their return home, Mary forces the children to take medicine to avoid getting sick and puts them into bed, when Jane and Michael refuse to go to sleep, she calmly sings to them to help them go to sleep quicker ("Stay Awake"). MARY POPPINS & MARY POPPINS COMES BACK ~ P.L Travers ~ Mary Shapard ~ Color 1937. On the first day of filming, the first thing we shot is the very last thing you see where were all dancing down the street at the end. Dawes., Senior. Mary Poppins was first released in late 1980 on VHS, Betamax, CED and LaserDisc. Mary Poppins is a 1964 American musical fantasy film directed by Robert Stevenson and produced by Walt Disney, with songs written and composed by the Sherman Brothers. It became the highest-grossing film of 1964 and, at the time of its release, was Disney's highest-grossing film ever. The film stars Emily Blunt and Lin-Manuel Miranda. [25] Disney considered the actor Stanley Holloway for the role of Admiral Boom, during the pre-production stage, but the role went to Reginald Owen instead due to Holloway's commitment to My Fair Lady. In comparison, the blue used in blue screen ranges from 435 to 500 nanometers. They're rescued after the sudden appearance of Jack, sitting atop an elaborate wrought-iron gate. Mary Poppins es un musical estadounidense de 1964 producido por Walt Disney. In contrast, Jane and Michael present their own advertisement for a kinder, sweeter nanny. With "Mary Poppins," Vlahos not only gifted generations of people with one of the most beloved classics of our time, but a legacy that can make all of our wildest imaginations come true. Marshall recalled Andrews' response, saying, "She made it clear right up front. More than 230 film color processes have been devised in the course of film history, often in close connection with photography. The color of the stockings for daytime affairs would most likely be white rather than black, and as we can see the . [43][60] Walt Disney used his huge profits from the film to purchase land in central Florida and finance the construction of Walt Disney World. And that red corset-like waist cincher has no place being there either, as it gives an hourglass figure to her silhouette rather than an S shaped one. The color blue was selected mainly because it was a color farthest from the skin tone. Reviews There are no reviews yet. As I said before, the silhouette of her dress is clearly 1960s inspired, because of its fit and flare style and short length, not to mention the fact that it gathers at her waist and not her hips. Bert tells Mr. Banks that he needs to spend more time with his children before they grow up ("A Man Has Dreams"). Before her death in 1996, Travers allowed the creation of the "Mary Poppins" stage production produced by Sir Cameron Mackintosh. [32] In 2017, Van Dyke was selected to receive an award for television excellence from the British Academy of Film and Television Arts (BAFTA), at which time he said "I appreciate this opportunity to apologise to the members of BAFTA for inflicting on them the most atrocious cockney accent in the history of cinema." Mary Poppins | film by Stevenson [1964] | Britannica Rather than using the more common bluescreen process to insert the actors into the animated footage, the actors were filmed against a white screen lit with sodium vapor lights, which have a yellow hue. It's easy to overlook the grim setting when you're a kid, but as an adult, you realize that the London the Banks family lives in is actually pretty dismal. In addition, Disney was then known primarily as a producer of cartoons and had yet to produce any major live-action work. The character was added in the movie, and Van Dyke's fun portrayal of the role has become iconic. The three and Mary Poppins venture onto the rooftops, where they have a song-and-dance number with other chimney sweeps, which spills out into the Banks' home ("Step in Time") after their neighbor Admiral Boom shoots cartoon fireworks at them, mistaking them for robbers and calling them "cheeky devils". However compelling the story may be, this movie set in the past sparks a question: Are the costumes historically accurate? Up until then, isolating a material as fine as a veil was deemed impossible until Vlahos' new invention. [5] Costume Design (Black-and-White) - Howard Shoup. GENDER AND RACE The first section employs film theory, semiotics and film music analysis to explore the animated works and their links to the musical theatre genre. Mary Poppins Returns in a Whirlwind of Color and Animation A change in the wind blows in an assertive nanny who matches the qualifications of the children and not the father. Technicolor, Hollywood (CA), USA (color) Film Length : 3,840 m (Finland) Negative Format : 35 mm (Eastman 50T 5251) Cinematographic Process : Spherical Printed Film Format : [43] Whitney Williams of Variety praised the film's musical sequences and the performances of Julie Andrews and Dick Van Dyke, in particular. Travers' estate granted Disney the rights to produce the "Mary Poppins" sequel under the stipulation that they treat the material "carefully," according to Entertainment Weekly. Before we dive into Mary Poppins clothing, we need to establish a time period and setting to investigate whether her look is accurate or not. Mary Poppins. For one, things didn't have to be lit as perfectly. Uncle Walt, as I called him, was determined that although I was an eight-year-old working on a film, I should still have a magical time. Mary Poppins (1964) cast and crew credits, including actors, actresses, directors, writers and more. Alma Lawton as Mrs. Corry, an old shopkeeper of a gingerbread shop and mother of two daughters. Mary Poppins hair is almost accurate because it is up, but it would have realistically had much more volume added and would be less refined. [8], A biographical drama on the making of the film, Saving Mr. Banks, was released on October 20, 2013. Addeddate 2021-11-19 00:46:29 Identifier mary-poppins-film-recorded-in-the-90s Scanner Internet Archive HTML5 Uploader 1.6.4. plus-circle Add Review. The creators definitely took some modern creative liberties with this dress. I would like to start by making it clear that this article is in no way meant to discredit the costume designer of the film. The titular character is a sensible English nanny with magical powers, and the work uses mythological allusion and biting social critique to explore the fraught relationship between children and adults. In 1998, this film became Disney's first feature film released on DVD. After winning the role of Bert, Van Dyke lobbied to also play the senior Mr. Dawes, but Disney originally felt he was too young for the part. Describing her victory, Mary Poppins uses a nonsense word ("Supercalifragilisticexpialidocious"). Tan mgico y de cuento como la pelcula estrenada en 1964, este musical estrenado en 2018 nos transporta de nuevo a Londres para seguir las aventuras de la niera ms mgica del universo Disney. The Material of Color in Photography and Film, Department of Film Studies, University of Zurich, crowdfunding campaign Database of Historical Film Colors, contact the author immediately and directly, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License, http://zauberklang.ch/acknowledgements.html, Prof. Dr. David Rodowick, Chair, Harvard University, Department of Visual and Environmental Studies, Prof. Dr. Margrit Trhler, Department of Film Studies, University of Zurich, Prof. Dr. Jrg Schweinitz, Department of Film Studies, University of Zurich, Prof. Dr. Christine N. Brinckmann, Department of Film Studies, University of Zurich, PD Dr. Franziska Heller, Department of Film Studies, University of Zurich, Dr. Claudy Op den Kamp, Department of Film Studies, University of Zurich, Prof. Anton Rey, Institute for the Performing Arts and Film, Zurich University of the Arts, Dr. Haden Guest, Director, Harvard Film Archive, Liz Coffey, Film Conservator, Harvard Film Archive, Mark Johnson, Loan Officer, Harvard Film Archive, Brittany Gravely, Publicist, Harvard Film Archive, Clayton Scoble, Manager of the Digital Imaging Lab & Photography Studio, Harvard University, Stephen Jennings, Photographer, Harvard University, Fine Arts Library, Dr. Paolo Cherchi Usai, Senior Curator, George Eastman Museum, Motion Picture Department, Jared Case, Head of Cataloging and Access, George Eastman Museum, Motion Picture Department, Nancy Kauffman, Archivist Stills, Posters and Paper Collections, George Eastman Museum, Motion Picture Department, Deborah Stoiber, Collection Manager, George Eastman Museum, Motion Picture Department, Barbara Puorro Galasso, Photographer, George Eastman House, International Museum of Photography and Film, Daniela Curr, Preservation Officer, George Eastman House, Motion Picture Department, James Layton, Manager, Celeste Bartos Film Preservation Center, Department of Film, The Museum of Modern Art, Mike Pogorzelski, Archive Director, Academy Film Archive, Josef Lindner, Preservation Officer, Academy Film Archive, Cassie Blake, Public Access Coordinator, Academy Film Archive, Melissa Levesque, Nitrate Curator, Academy Film Archive, Prof. Dr. Giovanna Fossati, Head Curator, EYE Film Institute, Amsterdam, and Professor at the University of Amsterdam, Annike Kross, Film Restorer, EYE Film Institute, Amsterdam, Elif Rongen-Kaynaki, Curator Silent Film, EYE Film Institute, Amsterdam, Catherine Cormon, EYE Film Institute, Amsterdam, Anke Wilkening, Friedrich Wilhelm Murnau Foundation, Wiesbaden, Germany, Marianna De Sanctis, LImmagine Ritrovata, Bologna, Paola Ferrari, LImmagine Ritrovata, Bologna, Gert and Ingrid Koshofer, Gert Koshofer Collection, Bergisch Gladbach, Germany, Memoriav, Verein zur Erhaltung des audiovisuellen Kulturgutes der Schweiz, David Landolf, Director, Lichtspiel / Kinemathek Bern, Brigitte Paulowitz, Head Archivist and Restorer, Lichtspiel / Kinemathek Bern, Margaret Bodde, Executive Director, The Film Foundation, Michael Champlin, DeBergerac Productions, Inc. Rochester, NY, Joakim Reuteler, Digital Humanities Lab, University of Basel, Prof. Dr. Rudolf Gschwind, Director, Imaging and Media Lab, University of Basel, Erwin Zbinden, Researcher, University of Basel, George Willeman, Nitrate Film Vault Manager, Library of Congress, Lynanne Schweighofer, Safety Film Vault Manager,Library of Congress, David Pierce, Library of Congress, Assistant Chief, Library of Congress, Kieron Webb, Technical Projects Officer, British Film Institute, Bryony Dixon, Silent Film Curator, British Film Institute, Dr. Jan-Christopher Horak, Director, UCLA Film & Television Archive, Todd Wiener, Motion Picture Archivist, UCLA Film & Television Archive, Dr. Cline Ruivo, Director Film Collections, Cinmathque Franaise, Dr. Iris Deniozou, Archivist, Cinmathque Franaise, Nicola Mazzanti, Associate Director, Royal Film Archive of Belgium, Laurent Mannoni, Directeur scientifique du patrimoine et du Conservatoire des techniques, Cinmathque franaise, Franois Ede, Researcher and Film Restorer, Andrea Meneghelli, Cineteca di Bologna, Archivio Film, Alessandra Bani, Cineteca di Bologna, Archivio Fotografico, Hege Stensrud Hsien, Director, National Library of Norway, Dr. Eirik Frisvold Hanssen, Head of Film and Broadcasting Section, National Library of Norway, Tina Anckarmann, Film Archivist, National Library of Norway, Prof. Martin Koerber, Leiter der Abteilung Film, Deutsche Kinemathek, Brian Pritchard, Motion Picture and Film Archive Consultant, Bertrand Lavdrine, Centre de Recherche sur la Conservation des Collections Paris, Mikko Kuutti, Deputy Director, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Juha Kindberg, Film Collection, Kansallinen audiovisuaalinen arkisto / National Audiovisual Archive, Finland, Dr Kelley Wilder, Senior Research Fellow, De Montfort University, Michael Harvey, Curator of Cinematography, National Media Museum, Bradford, Ruth Kitchin, Collections Assistant, National Media Museum, Bradford, Kathryn Gronsbell, Moving Image Archiving & Preservation, NYU, Gisela Harich-Hamburger, Photo Conservator, Dr Luke McKernan, Lead Curator, Moving Image, The British Library, Dr Michael Pritchard FRPS, FBIPP, Director-General, The Royal Photographic Society, John Falconer, Lead Curator Visual Arts, Curator of Photographs, The British Library, Dr. Anna Batistov, Nrodn filmov archiv / National Film Archive, Prague, Lenka astn, Nrodn filmov archiv / National Film Archive, Prague, Toni Booth, Curator, National Science and Media Museum, Bradford, Sylvie Pnichon, Conservator of Photographs, Amon Carter Museum of American Art, Gawain Weaver, Photograph Conservator, Gawain Weaver Art Conservation, San Anselmo, CA, Phil Rutter, Hon Treasurer & Secretary, British Kinematograph, Sound & Television Society, Manuel Joller, coordinator data management, Barbara Fritzsche, support data management, Andreas Bhlmann, support data management, Michelle Beutler, support data management, Sabrina Zger, coordinator data management, Valentina Romero, support data management, Meredith Stadler, support data management, Hannes and Esther Bernhardt, grand supporters, Marianne Flckiger Bsch and Bernhard Bsch, major supporters, Dariush Daftarian and Viola Lutz, supporters, Joanne Bernardi, Associate Professor, University of Rochester.