On the last day of the show, January 4, 1964, all the most popular Committee members through the years came back for one last appearance. "How 'The Buddy Deane Show' really went off the air is the white kids crashed Negro Day to integrate it. Yes, I miss it very much. Buddy returns on a pilgrimage from St. Charles, Arkansas, where he owns a hunting and fishing lodge and sometimes appears on TV, to spin the hits and announce multiplication dances, ladies choice, or even, after a few drinks, the Limbo. . I even named some of the characters in my films after them. Buddy wanted it to end happily, but WJZ angered Deaners when it tried to blame the ratings. This town just wasnt ready for that. There were threats and bomb scares; integrationists smuggled whites into the all-black shows to dance cheek to cheek on camera with blacks, and that was it. The films executive producer Craig Zadan argued that what makes Hairspray work is, you never feel like were on a soap box, or were preaching to you, or were saying this is a lesson you need to learn and yet, hopefully, you come away from it with something serious to talk about afterwards. There is no guarantee that viewers will take up these discussions, but Hairspray offers plenty of material for those who choose to do so. Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. Waters grew up with "The Buddy Deane Show" in Baltimore, and modeled his fictitious "Corny Collins Show" after it. A special. John Waters with Divine (Harris Glen Milstead) at the Baltimore premiere of Hairspray, Originally, I had it, the idea was Divine was gonna play the mother and the daughter like in The Parent Trap. New Line [Cinema] wouldnt let me, he said. In mixed marriages (with non-Deaners), many of the outsiders resented their spouses pasts. You had to wear nylons. Not show biz, Arlene answers, hesitating, but the record biz, the people. . [citation needed] With an ear for music seasoned by many more years as a disc jockey than Clark, Deane also brought to his audience a wider array of white musical acts than were seen on American Bandstand. He also left the Army in 1948 and began his radio broadcast career at KLXR station in North Little Rock. I was with this guy named Jeff. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. If you were a Buddy Deane Committee member, you were on TV six days a week for as many as three hours a dayenough media exposure to make Marshall McLuhans head spin. Print Headline: Buddy Deane Show was huge hit for young viewers in the late 1950s, Copyright 2023, Northwest Arkansas Newspapers LLC. The introductory essay in Dick Clark's American Bandstand (1997) is illustrative in this regard. Based loosely on the 1988 film by John Waters, Hairspray centres on Baltimore teen Tracy Turnblad (Carmel Rodrigues), who in 1962 wants nothing more than a chance to dance on the local pop music TV. On Sept. 13, 1964, he introduced The Beatles before their concert at the Baltimore Civic Center, and a few days later, he and his family moved back to Arkansas. SOUL! After you sprayed it, youd get toilet paper and blot it. "How 'The Buddy Deane Show' really went off the air is the white kids crashed Negro Day to integrate it. That was our whole social life, being a Buddy Deaner, says Gene. | And it was not unique: Dick Reids Record Hop in Charleston, West Virginia; Ginny Paces Saturday Hop in Houston, Texas; John Dixons Dixon on Disc in Mobile, Alabama; Bill Sanderss show in Chattanooga, Tennessee; Dewey Phillipss Pop Shop in Memphis, Tennessee; and Chuck Allens Teen Tempo in Jackson, Mississippi, were all segregated dance shows. When the subject comes up today, most loyalists want to go off the record. Hairspray is firmly rooted in 1960s America, but it offers both sophisticated and (tellingly) simplistic ways of understanding racism today. This Committees committee, under the watchful eye of Arlene, chose new members, taught the dance steps, and enforced the demerit system, which could result in suspension or expulsion. I wasnt going to go on and not be seen. But even Evanne turned bashful on one show, when Buddy made a surprise announcement: I was voted prettiest girl on this whole Army base. If "The Buddy Deane Show" didn't exactly end happily (canceled in 1964, it never did integrate the dancers), Waters remains a fan. However, unlike during the song "The New Girl in Town" where the Dynamites get there song stolen by 3 committee members, the Buddy . The Buddy Deane.phenomenon is hardly dead. offered an unfiltered, uncompromising celebration of Black literature, poetry, music, and politics, capturing a critical moment in culture whose impact continues to resonate today. You werent one of them anymore. Outsiders envied the fame, especially if they lost their steadies to Deaners, and many were put off by boys who loved to dance. Being a teenage star in Baltimore had its drawbacks. It was maddening: the Mashed Potatoes, the Stroll, the Pony, the Waddle, the Locomotion, the Bug, the Handjive, the New Continental, and, most important, the Madison, a complicated line dance that started here and later swept the country. The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. How Actress Rachel Hilsons Baltimore Roots Influence Her Work Today, The Mount Vernon Virtuosi is Much More Than a Chamber Orchestra, Jen Michalski Discusses New Short Story Collection The Company of Strangers. Even today Gene and Linda are the quintessential Deaner couple, still socializing with many Committee members, very protective of the memory, and among the first to lead a dance at the emotion-packed reunions. I saw the show as a vehicle to make something of myself, remembers Joe. Im a typical housewife, says Peanuts. We have a telegram, Buddy would shout almost daily, for Mary Lou to lead a dance, and the cameraman seemed to love her. Hairspray movie was inspired by this show and was based off of the the events but unlike the movies, instead of the show being integrated, it was cancelled. Buddy called me up before the cameras, and I wasnt dressed my best. She was one of the chosen few who went to New York to learn how to demonstrate the Madison, and was selected for the exchange committee that represented Baltimores best on American Bandstand. See, the fictional Corny Collins Show is actually based on the real Buddy Deane Show, which aired on WJZ-TV in Baltimore, Maryland from 1957 to 1964, and was the inspiration for John Waters . Other vices were likewise eschewed. The Buddy Deane show aired 6 times a week and had a dance committee just like in hairspray. Many parents and local officials were angry. So the NAACP targeted the show for protests. All Rights Reserved. . Some of the old Committee kept up with the times and made the transition with ease. Or Hartford Motor Coach Company? [1], As with many other local TV shows, little footage of the show is known to have survived. On Jan. 4, 1964, nearly five months after the first -- and only -- day that black and white kids danced cheek to cheek on TV in WJZ's studios, Buddy Deane put "The Party's Over" on the record player. Deane fought in the Battle of the Bulge and was awarded a Purple Heart during his time in the Europe. "The Buddy Deane Show," which aired on WJZ-TV in Baltimore from 1957 until 1964. . This article is among features at explorepinebluff.com, a program of the Pine Bluff Advertising and Promotion Commission. John Waters wrote the screenplay under the title of White Lipstick, with the story loosely based on real events.The Corny Collins Show is based on the real-life Buddy Deane Show, a local dance party program which pre-empted Dick Clark's American Bandstand in the Baltimore area during the 1950s and . Theyd stand outside my home. And the girl Deaners, God, hair-hoppers as we called them in Towson, the ones with the Etta Gowns, bouffant hairdos, and cha-cha heels. 'Buddy Deane' really did have "Negro day" once a month -- it was called worse in some neighborhoods in Baltimore. Owing to Deane's mid-South roots and work history, he featured many performers from the ranks of country and western music (e.g., Skeeter Davis, singing "The End of the World" and Brenda Lee singing "Sweet Nothin's"), who then achieved cross-over hits among rock and roll fans. Pixie was barely five feet tall, but her hair sometimes added a good six to eight inches to her height. Mr. Associated Press text, photo, graphic, audio and/or video material shall not be published, broadcast, rewritten for broadcast or publication or redistributed directly or indirectly in any medium. When I get depressed, I dont go to the psychiatrist, I go to the jeweler, she says. The Buddy Deane Show was a teenage dance party, on the air from 1957 to 1964. While other radio hosts thought rock 'n' roll music was just a passing trend, refusing to play it in favor of pop songs, Deane played rock 'n' roll music on a regular basis. They kept their figures, look nice, and are very kind people, says Marie in her lovely home on Falls Road before taking off for the University of Maryland, where she attends law school. But black kids in . In her home, near Allentown, Pennsylvania, she serves me a beautiful brunch, models her fur coats, and poses with her Mercedes. With the nation in a divisive place, he argued, viewers are looking for entertainment that can be really healing. The New York Times critic Michiko Kakutani saw a similar dynamic at play when Hairspray, the musical, debuting shortly after 9/11, won over fans: Hollywood and Broadway producers have decided [what] Americans want is nostalgiathe logic being that people in times of trouble will gravitate toward comfort entertainment that reminds them of simpler, happier times [such as] the candy-colored Broadway musical Hairspray., Hairsprays history of race in America suggests that racism is an issue of attitudes rather than of policies. And the other ladies in Allentown blue-collar neighborhood in Baltimore were talking to her and saying, Yeah, what kind of movie is this? They thought she was a real woman that lived on the street, you know. Once a month the show was all black. Mr. Deane's salary . He got a great review in The New York Times. Or Snuggle Dolls? For example, consider the comments of members of the "Committee" [the regularly featured White teenagers on that show] about boys having it worse than girls because boys weren't supposed to dance. Even doing commercials was expected. If a guy had one beer, it was a big deal. Once a month the show was all black; there was no black Committee. But it went something like this: Buddy Deane was an exclusively white show. When Barry Levinson, another Baltimore native, requested video from the show for his film Diner, the station told him it had no footage. Gene calls it a big loss. It was living in a fantasy world, says Helen. From 1957-1965, Deane was chosen as host of WJZ-TV, Baltimore's "The . You cant do this. I remember once we all got arrested at the drive-in for underage drinking, and the black kids didnt get out and the white kids did. Both black and white activists picketed the . The Buddy Deane Show was taken off the air because home station WJZ-TV was unwilling to integrate black and white dancers. With the show beginning at 2:30 in some years, cutting out of school early was common. Originally known as The Buddy Deane Bandstand, the show first went on the air at 3 p.m. Sept. 9, 1957, and aired for two hours; the show often preceded the Mickey Mouse Club. Maybe that was a good choice because Divine was 40 then., She played against-type, certainly. From 1957 to 1963, only white teens were allowed to attend the weekday broadcasts of the Buddy Deane Show, with the exception of one Monday each month when black teenagers filled the studio (the . Buddy Deane was the host of a Baltimore dance show that ran on TV from 1957 to 1964 six days a week. and later on, growing up, it was a definite blow: reality. I still have a whole box of fan mail, says Evanne. On the air before Dick Clark debuted, the show was a hit from the beginning, says Arlene today. Seeing Hairspray as more than simply a post-racial American fantasy requires taking the storys teen dance show setting seriously. He was one of the first disc jockeys in the area to regularly feature rock and roll. Over lunch at the Thunderball Lounge, in East Baltimore, Kathy remembers, I could never get used to signing autographs. Vanessa Udon plays Motormouth Maybelle, who hosts the monthly Negro Day on the Corny Collins Show. Id get letters saying, If you show up at this particular hop, youre gonna get your face pushed in. The action of the musical takes place in 1962 and centers around Baltimore's teenage obsession with the television program The Corny Collins Show, a stand-in for an actual Baltimore production of the day, The Buddy Deane Show. (They gave her a diamond watch at the last reunion.) The television news reporter covering the Corny Collins Show in the film sums up the climactic scene: Youre seeing history being made today. Every day after school kids would run home, tune in, and dance with the bedpost or refrigerator door as they watched. Participants dressed in "country" style, and danced to country and western music as well as pop. In the beginning, there was Arlene. Its fairly neat, commercialized, and revisionist portrayal of 1960s Baltimore sharply contrasts with the current messy, national discussion of identity politicsa disjunction that could prompt new audiences to reevaluate their assumptions about how racism operates. It aired for two and a half hours a day, six days a week. I used to get death threats on the show. On Wednesday, NBC is broadcasting Hairspray Live! Racism is passed down from one generation to the next. They just wanted to know if you were real. Joe Cash has Jonas Cash Promotions, in Columbia and Silver Spring.. (my own promotional firmwe represent Warner Brothers, Columbia, Motown85 percent you hear in this market)and Active Industry Research, in Columbia (a research firmIm chairman of the board). The black cops would stop us and say: This isnt Greenwich Village, you know. In 1950, he moved to Baltimore to WITH. Sign up for our Email Newsletters here. Or the Bob-a Loop? Pauline Kael praised him. (The rave appeared in The New Yorker, where Kael said it was really Divines movie, calling him W. That show featured local teens who danced to the hits of the era, although the entire cast was white except for one episode every other Friday for Black kids. . The main thing was your hair was flat, the antithesis of Buddy Deane, she says, chuckling. BLACK MUSIC MOMENT #96: Short-Lived Integration Of The Buddy Deane Show, Jun 1, 2011 By TheUrbanDaily Staff. To this day, Im reluctant to tell some of my black friends I was on Buddy Deane because they look at it as a terrible time.. The protesters wanted the races to mix. Powers was a particularly special addition, having disappeared in the years since the films release. My mother wanted me to go, she took me down to the tryouts. Deane began his broadcasting career at KLXR in Little Rock, Arkansas. Originally an all-white teen show with a monthly "Negro . The star system was born. Nationally, American Bandstand blocked black teens from entering the studio during its years in Philadelphia, despite host Dick Clarks claims to the contrary. And the whole concept of the Committee changed. In 1948, Deane married Helen Stevenson, his childhood sweetheart, whom he first met when he was just four years old. I had trunks of it. In Baltimore, Maryland in the year 1962, Tracy Turnblad and her best friend, Penny Pingleton, audition for The Corny Collins Show, a popular Baltimore teenage dance show (based on the real-life Buddy Deane Show). "Do You Love Me" by The Contours, or "Hide and Go Seek" by Bunker Hill). In early 2003, Deane sold KOTN and three other stations he had acquired over the years. . So the NAACP targeted the show for protests. Deane also presented British artist Helen Shapiro, who sang her Baltimore hit, "Tell Me What He Said," at about the time that she was touring England with The Beatles as one of her support acts. In 1958 the Buddy Deane Show lost support from the Baltimore City Board of Education due to it's segregation policies, and in 1964 it went off the air instead of choosing to integrate. Oddly enough, few of the Deaners Ive talked to went on to show biz. Mr. Deane hosted a crowd of exuberant teens, who danced to the music of live rock bands, including many name acts. The white kids parents came and got them. I was honored, touched by it all.. The early look of the Committee was typically 50s. On the other, Hairspray Live! Every weekday afternoon, in each of these broadcast markets, these shows presented images of exclusively white dancers and rendered black youth as second-class teenagers. The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . In Hairspray (1988), Tammy Turner assists Corny Collins on the show. Almost all dancers wore swim wear and beach attire, with music provided by WJZ-TV. The Corny Collins Show is based on the real Buddy Deane Show which, interestingly, was cancelled in 1964 for refusing to integrate black and white dancers, a core theme in this musical. The Buddy Deane Show was a show from the late 50's to the mid 60's. The show was a teen dance television show, similar to Philadelphia's American Bandstand. On August 2, 1924, Winston Joseph Deane was born in Pine Bluff, Arkansas. I thought I was running the world, so they developed a Board, and the Committee began governing itself. Being elected to the Board became the ultimate status symbol. ' And Evanne still shudders as she recalls, Once I was in the cafeteria. In December 1963, producers at Baltimores WJZ-TV cancelled the Buddy Deane Show rather than integrate the popular teen dance program. It was a real kick! Her fame even brought an offer to join the circus. . You will be redirected back to your article in, Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. Although the show has been off the air for more than twenty years, a nearly fanatical cult of fans has managed to keep the memory alive. It was similar to Philadelphia's American Bandstand. He left behind his wife, Helen Stevenson Deane; his three daughters, JoEllen, Dawn, and Debbie and their families. Why Europeans Dont Get Huge Medical Bills. That's what really happened, and the show shut down." 3. (NWA Media). It was the times, most remember. Now a receptionist living near Towson with her husband and two grown children, Arlene remains fiercely loyal, organizing the reunions and keeping notebooks filled with the updated addresses, married names, and phone numbers of my kids. She met Winston J. The AP will not be held liable for any delays, inaccuracies, errors or omissions therefrom or in the transmission or delivery of all or any part thereof or for any damages arising from any of the foregoing. Interviews with leading film and TV creators about their process and craft. In 1957, Deane was chosen by former WITH associate Joel Chaseman to host "The Buddy Deane Show," a dance show for teenagers on WJZ-TV Channel 13. It was even in the papers. Actor: Hairspray. Deaners seem to come out of the woodwork, drawn by the memory of their stardom. For many young people, being blocked from swimming pools, skating rinks, or dance shows like the Buddy Deane Show would be one of their first exposures to what King calls the feeling of forever fighting a degenerating sense of nobodiness.. The Deaners didnt mind. Bill Haley and the Comets did their premier perf of "Rock Around the Clock" on Deane's show, and Deane was named the No. After a surprise interracial broadcast, WJZ-TV received bomb and arson threats, hate mail, and complaints from white parents. The Buddy Deane Show was a highly visible regional program that asserted a racially segregated public culture. Buddy said to me, Well, heres my little girl whos been with me the longest. I hardly ever cried, but I just broke down on camera. I'll include some of those comments in an upcoming pancocojams series about that dance.However, it seems to me that The Buddy Deane Show is more important because it exemplifies the need to go back and understand how the past has influenced the present with regard to systemic racism in Baltimore, Maryland and elsewhere in the United States. What: The Buddy Deane Show was a teen rock-and-roll dance television show that aired on WJZ-TV in Baltimore, Maryland from 1957 until 1964. Perhaps the highest bouffants of all belonged to the Committee member who was my personal favorite: Pixie (who died several years later from a drug overdose). Nicknamed "Buddy" as a child, Deane . three, two, one. Here is the new video celebrating the 60th anniversary of the Buddy Deane Show and the former Catonsville Community College (now CCBC). The show featured only white kids dancing, so Scruggs wrote him a letter in the fall of 1958 to . His show became one of the highest rated stations in the country. 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